John - Well, when people go back to the history
of the music these bands are always mentioned
and hopefully they always will be. I look
at singer songwriters now and Country artist
and it's hard to deny that they were all
influenced by those styles.
Randy - Years and Years later, yeah, the Nashville
thing especially is what the Eagles did.
Just look at what the Nashville players
are doing. They're good but God I don't
know how they write so many songs so fast.
They have an idea one night and the next
day the records out. They do an album in
like a day.
John - I tracked down John Jarvis a few years
ago. I don't know if you know him but he
played and won Grammy's with Vince Gill
and the Judds and he said the same thing,
it's a fast machine.
Randy - Oh God, they call Nashville the cookie
cutter, just bam, bam, bam. Here they are.
Some of them are such great musicians. There's
a guy in Nashville named John Hobbs, he's
a keyboard player and he played on my first
album. He's one of the top guys down there.
I call that album my scatter-gun album because
I wanted to do every kind of song thinking
that one of them would hit but I didn't
have any continuity. So every song on that
one was different. I did "If You Want
to Be Happy For the Rest of Your Life."
Do you remember that?
John - Oh yeah, I had that one.
Randy - (Starts singing the song) If You Want
to Be Happy For the Rest of Your Life. That
was a song from high school that I always
loved and John Hobbs played on that and
Ernie Watts who played with the Johnny Carson
band. He's just the best sax man in the
world. So the players were great on the
album at least I can say that (laughing).
Sometimes you gotta take a deep breath and
say well this is just kind of fun.
John - Tell me about your second solo album "One
More Song?"
Randy - Yeah, that was the one with Eric Kaz and
Wendy Waldman. Val Garay produced that one
and I felt that one was my best. The one
after that was with Michael Flicker, who
did Heart and I had Nancy Wilson on it on
a song called "Strangers" that
Elton John wrote and there's some good music
on there as well.
John - Did you enjoy working with Mike Flicker?
Randy - Well,
he wanted to make me more of a hard rocker.
It was okay and it was fun. It was at that
point that I realized that I didn't want
to be a solo artist.
John - Well, there really is comfort in a group
setting isn't there?
Randy - Oh yeah! After that I worked with Rick
Roberts of Firefall.
John - Firefall was one of my favorite bands
in the seventies.
Randy - Yeah he's a great guy. We played together
for maybe three or four years doing mostly
small clubs.
John - Was that before or after you worked with
Billy Swan?
Randy - That was before. The project with Billy
Swan was called Meisner Swan and Rich with
Alan Rich whose dad Charlie Rich sang "Behind
Closed Doors." I sang and wrote a great
one on that album called "My How Things
Have Changed."
John - Was that one autobiographical?
Randy - Oh Yeah. It's about how many changes I've
had in my life. It's an attempt at writing.
(Laughing)
John - I remember listening to your debut album
and that first song "Bad Man"
written by J.D. Souther and Glen Frey.
Randy - You
know that song got on the movies "FM."
I was still with Irving Azoff as a manager
who of course is with The Eagles and he
was the one that got that tune on the soundtrack.
(Randy starts singing the song)
John - If I remember correctly other than
"Take It to the Limit" you didn't
write any of the tunes on that first album
right?
Randy - That's right like I said it was a scatter-gun
album with everything on it. Alan Brackett
the producer helped me a lot on that album.
He had a few writers that he knew that did
some songs on it.
John - Well, I enjoyed that album.
Randy - Thanks John. That's good to hear. I just
wanted to make a record on my own at that
stage in my life. |